the third album of the rongetz foundation, also recorded in new york, will be released end of 2012 and features musicians such as gregory porter, ronnie cuber, renee neufville or john robinson. on that session, rongetz goal was to dig more than ever into compositions that are bridging jazz with hip-hop and soul music.

legendary producer theppabutr satirodchompu - the man behind the modern molam sound - is under the spotlight on this, the first cd in a series of compilations on key producers of modern molam music from northeast thailand. from the 60s to the 80s, these pioneers created an exciting, electric sound from the centuries-old folk music traditions of the region

a perfectly formed deep-house voyage, taking the listener through blends of jazz, blues, latin and hip-hop, tourist is a must have for any dance or jazz music collection. the album transcends the ages and sounds as relevant and fresh today as it did on release, rightly staking a claim as a true modern classic.

the album third encounter showcases the 20 past years of klas lindblad as a musician, dj and sound engineer, one whos seen most of the modern musical styles evolve and dissolve. always relying on the basic principles of electronic dance music that less is more, lindblad brings another fine full-lengt artist album out, surely to be considered his finest work til today.

forging a fantastic fusion of modern electronic pop, human woman are the new signing on hamburgs hfn records. originally hailing from iceland, the band consists of g’sli galdur thorgeirsson of prolific icelandic band trabant, and producer jon atli helgason aka sexy lazer.now after the launch of their debut single,delusional, with its sensual, indie-dance roots and pleasing 80s/90s undertones, we see the pair expand their vision of modern electronic pop with a feelgood, rich and edgy album spanning 11 glorious tracks.

on his debut album the host works in a spacey interzone, using vintage gear to create dramatic panoramas for the headphoned mind. he creates a unique suite of modern impressionistic sonics that tumble and waft in and out of the mix, earthed with strong melodies that take inspiration from net-age genres while never recalling them directly. throughout, he masters all the potentials of vintage synths, drum machines and reverbs, along with guitar and bass to explore a sound that sets him apart from producers working on computers, creating something much more band-like but rich with lively micro-detail.

a-sun amissa is a new project formed out of leeds, uk by members of glissando. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs.

plugged-in pop, concrete prog & global robotic rock.16 highly charged currents of latter day electro-magnetic poly-pop, robotic rock & modern day mechanical music. featuring unreleased electronic music for atari video games, swiss construction companies and low budget eastern film productions alongside unknown and undercover synth driven rarities by members of can, hawkwind, niagara, soft machine, dynastie crisis, gong & nucleus.compiled from a well travelled dj bag of inhumane second-class sound by saxonic wax magnet andy votel ( finders keepers ) including full length tracks from his acclaimed vintage voltage mix tape.

for serious music fans, sxsw in austin is close to heaven on earth. non-stop music of all sorts, plenty of beer & bbq, and for those of us in colder climates, a chance to enjoy some mild weather before spring is fully underway. this year, as a part of our celebration of 27 years of !k7 well be kicking the festivities off with dj sets from two of the recent stars of dj-kicks, photek & apparat.the party will be free and wont require a badge, so come one come all. in addition to the headliners, we also have a several special guests lined up, including artists who appear on photeks mix. were looking forward to starting the week of music off on the right foot with all our friends, and hope to see you there!

kitsune parisien incl. tomorrows world, slowdance, exotica, about the girl, nameless, lescop and many more

the legendary act terranova return with an explosive new album, bridging modern pop and classic house like never before !!

hed kandis world series returns, visiting one of the mediterraneans most vibrant nightlife, fashion and clubbing scenes in the world. hed kandi headline djs, greg myers and sam cannon take you on a musical discovery across two mixed cds, selecting tracks that define the true party atmosphere from the catalonian dancefloor, bringing you the pure sound of one of the most iconic dance capitals of the world. from the city made famous by gaudi, dali, miro and picasso, this release brings you some of the hottest, upfront and cutting edge hits from a-list producers and modern day artists such as dj chus, david penn, copyright, jamie jones, lee foss, waifs & strays, jimpster, stefano noferini to name but a few. as is the case with the world series titles, this release is accompanied with a handy pull-out guide on hed kandiÕs recommended places to visit, eat, sleep and party in barcelona.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. bundicks latest is no sloppily assembled bunch of pine session throwaways. the freaking out ep was put to tape in june during a period of touring quiescence. the release finds bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the gap band and mtume. while the first two tracks are modern takes on the 80s post-disco vibe, -sweet- sounds like the product of a todd edwards and teddy riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples. the new jack influence spills over into the cover of cherrelle and alexander oneills -saturday love-, in which a swingbeat carries along fluttering piano lines steeped in delay. the eps crown jewel, -i can get love-, sees bundick assimilating styles of each of his to-date releases, with the synthesized funk of causers of this, the irresistible hooks of pine, and dance alias les sins penchant for filter effects and house beats. full of energy and crafted with a conciseness that begs repeated listens, freaking out is toro y mois most concentrated venture into pure dance floor hedonism.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

for the past decade or so, polish musician michal jacaszek has been exploring a new, resolutely modern chapter in eastern europes long, storied love affair with classical music. his creations are painstakingly crafted collages of electronic textures and baroque instrumentation, harpsichords being swarmed by woolly static one minute and pulled apart by billowing wind the next. ambient music - if we can generalize unnecessarily for a second - is rarely so sonically challenging.

> they made us do it< contains pure analogue, dirty and sophisticated dance music, with a wide range of influences: from chicago house to german psychedelic krautrock, from skweee to minimal techno, from ambient to bass, from the first collaboration with their free-jazz daddy on saxophone up to collaborations with modern classical musicians. file under: konfusion! >they made us do it< Ð it makes for a challenging listen both at home and in a club!

this latest release by the ever impressive trunk records consists of two jazz recordings from 1964. the first four tracks, credited to west indian trumpeter shake keane, are taken from an unreleased acetate belonging to garricks private collection. the final four tracks consist of the shake keane & michael garrick quartettes a case of jazz ep that had a limited pressing of just 99 copies. much like trunks earlier michael garrick release moonscape (which was recorded in the same year), this is indeed obscure 1960s uk jazz. the first four cuts from the untitled acetate are very much jazz of the bossa nova variety. the hastings girls choir feature on the first two tracks and their lush vocals add a cool exotic vibe. tracks 3 & 4 are taken from the flipside of the acetate and were recorded with the gordon langford orchestra. the final four tracks from the a case of jazz ep are freer flowing and keanes trumpeting accompanied by garricks piano makes for some quality early modern british jazz. moody album closer regrets is a stunner and best showcases how well they both compliment each other.

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space... excellent 11 track modern electronic album !!

australian pressing of this 2011 collection of rarities and non-album tracks from the queen of modern soul. sharon jones & the dap-kings have developed an international reputation as the #1 group on todays soul scene. soul time is an exploration of the full range of their dynamic sound through 12 songs handpicked by the daptone records gang, each one a precious exclusive. the needle drops on genuine pts. 1 & 2, a supercharged funk arrangement that evokes the late godfather not only with the spirited syncopation of the dap-kings rhythms, but also with the raw power of jones voice. it is performances such as these that have earned her the moniker the female james brown. though it has long been one of their best-selling singles, it makes its album debut here. longer and stronger, written for her 50th birthday, is a deep mid-tempo soul celebration of the strength and determination with which sharon jones has earned her long overdue success. whether youre a lifetime fan, or just getting turned on, sharon jones & the dap-kings have yet again made a record that will blow your mind.

with over 10 years worth of experience and a number of releases on labels such as emi, p-vine, and freestyle, uk funk & soul titans the baker brothers land at record kicks with their seventh, and latest musical opus -time to testify-. in the new album the baker brothers pick things up where top singles -once i had a friend- and -patience- left off. the result is -time to testify-, a brand new album that sees the baker brothers hitting their stride as they mix elements of modern soul, jazz, funk and everything in between.

fresh modern indie dance influenced electro pop / electro

excellent brazil journey from modern latin , brazilian samba soul , funk, bossa.... check

nice price deal !!! hyper modern pop songs mit tiefgang... chapeau

a stunning return to form for one of the pre-eminent modern soul singers - with background vocal guests including jody watley, faith evans, lalah hathaway, shanice and the andrea crouch singers. a remarkably strong fifth solo album from a soul singer who defines the word classy. highlights are his trademark gorgeous ballads ( miss you and goodbye ), hypnotic mid-tempo grooves ( 6 am and stay with me ), and irresistibly funky dancefloor tracks (the instant club hit ghost featuring jody watley). the insistent, gospel-flavoured mountain top is unlike anything you ve ever heard, and features the legendary andrea crouch singers. the album is rooted in the classic principles of melody and poetic lyrics while embracing eighties r&b/pop as purveyed by prince and michael jackson. since his outstanding 1997 debut album for mca, rahsaan has evolved as a vocalist and songwriter, along the way writing songs for tevin campbell, brandy, ledisi, lalah hathaway and van hunt. now in 2011, with the assistance of his regular production cohorts keith crouch and jamey jazz, he delivers some of his finest work.

sine music released the second album by merge of equals entitled submerge. the album will be available on cd and at all well known download stores. as the title suggests: listeners of submerge dive deep down into the sound-world of flavio maspoli. this versatile, multifaceted artist and producer from zuerich caused a sensation in the european music scene with his debut creation intoxication and now, with his new album, puts the listener, already with the first track, into a kind of rapture of the deep. the world is one could well be the credo of this new album submerge. with titles like tvija lijubov, biya, opium or atesh mystic and exotic tones taken from a wide variety of cultures fuse with modern beats and futuristic electronic sounds to enter a new symbiosis. the captivating vocals in varying languages of the guest vocalists gina estrada, sitta foehr, jelena schweizer, katt tait and kotomi bisang-mori guarantee a very special multi-cultural deep-sea dive while discretely enhancing the established chillout and lounge paths. even the classic bar chillout lover will be rewarded with tracks such as kleine wolke or heart & mind. the artist describes this new slot he has created as >magic chill•< offering a balance separate from prevalent trends.

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

the first-ever om records yoga album is finally here featuring new, unreleased and classic tracks from j-boogies dubtronic science, soulstice, rocket empire , king kooba and more. deep, richly layered, soothing modern music for movement and flow

with this, his debut full-length album entitled when the clouds ran away the man behind the music si tew has seamlessly tied together the many elements of musicality he loves, and from this has delivered a polished masterpiece of modern day electronic soul. featuring a talented crew of collaborators, the album swings from glitchy swung break beats via heart felt soul to organic cinematic compositions, and although this may seem like an impossible task si tew has produced this genre hopping expedition perfectly. the wonderful vocals on this album are performed by a handful of the uks best including leamington spas siren shanade, who opens the album with the divine >silhouette< gliding effortlessly along and introducing the oncoming album traffic

tom thiels self titled debut album out now!!! wide melody lines, soft, complex beats or direct, simple beats: the tracks speak a timeless language and thus represent the most modern side of electronic music. a musical director and his audio cinema, way beyond hollywood or worse - new german cinema.

hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep

the debut album from one of brazils most exciting young solo artists. a beautiful bossa inflected record that showcases vilars classic songwriting fourish and modern spark. a special talent.

no other music has held such revolutionary possibility as hip-hop and to celebrate 30 years of this innovative genre ministry of sound brings you the latest instalment in our epic anthems series. the inspirational pioneers of this unique culture are all present on this essential release that begins with classic club anthems from artists such as run dmc, a tribe called quest, dr dre, cypress hill and gang starr this anthology is summarised with a taste of where the scene has developed into the modern era with a collection of #1 smashes that still blow up the dance floors across clubs worldwide.

mark mcguire operates chiefly as guitarist in the legendary emeralds. however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). living with yourself is his new album and we at editions mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes mcguires sound even further out, and contains some his most accomplished songs to date. the opening track is fine example of mcguires magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. and tracks like clouds rolling in and brain storm take off where such mcguire classics as the marfa lights (which incidentally is planned for a future reissue) left off. while connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. these are songs that cruise, bubble and rise to the top.

>to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with loving, i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.< (johannes heil, 2010)

maxic edition ... ultra phat & modern techhouse!!! should be on your list of wishes, when grandmother is asking you for a christmas present

walls are a band from london made up of members sam willis (of allez-allez) and alessio natalizia (of banjo or freakout), >we take our inspiration by the sense of discovery, curiosity and playful nature of our approach to making music. we have a pastoral take on the natural world, music that has a natural, unique and personal feel - utilizing the best that old / modern technology has to offer.<

the arrival of label lotus land s first ever album, in the form of a previously unreleased monster of a project. the amazing modern soul music of darwin jones, as recorded in 1978 at sly stone s home fortress studio. this album includes the full 17 they managed to unearth from tape - 9 tracks more then the vinyl edition! tip!

ashley, darren and this team of talented artists have steered this music of classic heritage into a contemporary context, the result being a modern and timeless musical adventure.

blessed with a lavishly soulful voice, alices sound is modern, but firmly rooted in the past Ð surpassing the likes of duffy and adeles impersonations of the soul greats, alices records are extremely refreshing. likewise, her live performances are truly unique, capable of captivating an audience and holding its attention throughout, expertly tugging at individual heartstrings. her smouldering blues-inflected lament is constantly evolving in her solo material, thanks to collaborations with other producers which have encompassed everything from funk to soul, gospel to jazz, and to hip-hop and beyond.

musical aesthete, superstar dj, fashion icon and underground idol Ð tiga is ready to refresh your palette with a sublime collection of tunes aimed sometimes at your heart, sometimes at your head and very often at your feet and the raging clubber within you.he dropped louder than the bomb on us, we have danced to his fabulous version of hot in here, mouthed the words to >sunglasses at night<, got up to all sorts of misbehaviour to >you gonna want me< and he delivered a work of beauty with his last album >sexor<.now tiga is giving us a whole new set to enjoy with >ciao!< Ð which includes >shoes< Ð a hymn to his 3 favourite things, shoes, hair and gloves, luxury, a tale of opulent consumerism and a 10 minute modern disco extravaganza entitled >love donÕt dance here anymore< - countered with the club bangers >what you want< and >mind dimension 2< which will send you spinning into orbit. with collaborations from the likes of soulwax, jesper dahlback, gonzales, jori hulkonnen, jake shears and james murphy, itÕs a riot.of the writing process tiga explains, i thought this would primarily entail aging sheet music with teabags, but i quickly learned otherwise. itÕs ultimately a matter of trusting yourself, of having the courage to say, these are the times, and these are the rhymes.

extra life is a new york-based band led by guitarist/ vocalist/ composer charlie looker, a core member of the noise/chamber group zs and collaborator for dirty projectors, john zorn, william parker and john zorn. formed in 2007, extra life combines elements of dark romantic pop a-la bowies berlin period, aggressive math rock a-la slint, modern classical compositions and medieval vocal music, which the album title, secular works, refers to. secular works is without a doubt one of the most unique albums weve ever heard. it is challenging and rewarding, complex but melodic, intellectual but within reach. for fans of xiu xiu, dirty projectors, the dead science and sun city girls.

alongside italics great affinity for electronic dance music in its multitude of forms, from techno to house to disco, they have always harboured a love for pop (attitudes), as exemplified by the likes of prefab sprout, steely dan, orange juice, scritti politti, japan, pulp or scott walker. the fourth coloma album is a song cycle with recurring harmonic and rhythmic themes. lyrically, loves recurring dream is a narrative chronicling the phases of a romance, which symbolically runs over the course of a year. in the twelve songs, singer rob taylor follows the progress of the seasons from spring, summer and autumn to winter, with the implicit promise that a new spring will follow. in its entirety, loves recurring dream is a modern concept album featuring classic song writing and bold production, combined to create profound popular music

raul rincon and jochen pash shows their definition of modern house music, taste it

nice price deal !!! gomma / the 3rd compilation of germanys gomma label. clubhits, remixes & unreleased tracks from the last 2 years, previsiously mainly released on vinyl only. including stuff by headman, whomadewho, midnight mike and munk plus (vocal & remix) contributions by guest artists like the rapture, francisco, dj chloe, midnight mike and james murphy (lcd soundsystem). the cd is mixed by munk. gomma has consequently been developing an own, fresh, personal style in the past years. organic, fresh, disco inspired music - with elements both from raw psychadelic rock to german minimal electronics. its time to bring this special vibe and some of the greater current club hits on one cd. gg 3 represents the current state of the label. its a lot more than >brilliant punkfunk and modern disco< (as the nme described the last gommagang cd)